In 1999 the sculptors took part in the Soros Art Centre annual exhibition ‘Culture/Subculture’ by blocking the entrance to the Sea Garden in Varna with 3000 metal vinegar crates (grouped in 5 modules of 15 metres length altogether and 3.6 metres height) to create their piece of work called ‘A Bar – Defraction – Passing Through’. Despite the aisles allowing the passers-by to go through it and become actively involved, the municipal authorities ordered that the composition should be deconstructed on the fourth day. According to eyewitnesses the composition was estimated very precisely: ‘it was a bar to movement without provoking people’s discontent’. It was accepted as an original filter placed by the authors at an active point of the town environment in order to make us look at life in a different way. For an instant, the passer-by remains in nobody’s land, between now and beyond, between here and there, between himself and the others.